]]> small press. San Antonio's Bill Shute. Getting his start in the D. I. Y/punk scene of the late seventies. Bill has always had affection towards the small press the underground voice and the overlooked. In reaction to the issues he faced getting his first book of poetry published back in 2005. Bill decided to print his subsequent releases himself. He called his publications Kendra Steiner Editions and began to print small chapbooks in limited quantities. Over the next two years. Bill would go on to produce 80 chapbooks from writers such as Luis C. Berriozabal. Christopher Cunningham. Stuart Crutchfield. Doug Draime. Misti Rainwater-Lites and many more. Besides publishing. Bill has also been feverishly writing his own books. Back in February he released his second book of poetry. Point Loma Purple (The Life and Work of Katherine Tingley) from Word Mechanics. He has also released several of his own smaller works through Kendra Steiner Editions but that does not seem to be his primary focus with KSE. The focus is to give a voice to the underground by releasing their best work possible. It is not simply about releasing a chapbook with their name on it the work must be focused concise and of a certain quality to be considered for release. It is this focus and Bill’s determination that will continue to drive KSE forward and allow them to find new exciting young poets. Recently. Bill was kind enough to answer a few of my questions regarding KSE and his writing in general. Orange Alert (OA): How did Kendra Steiner Editions come into existence?Bill Shute (BS): When I finished my book-length poem Twelve Gates to the City: The Labours of Hercules in the Lone Star State in early 2005 the process of finding outlets for it securing a publisher and getting the book printed (it was made on 200-year-old letterpress equipment) took about 12 months. In March 2006. I wrote a small suite of poems called “Four Texas Streams,” which I planned to present and distribute at the readings promoting Twelve Gates. Part of its content dealt with vote fraud in a local congressional election and I wanted to get the word out quickly while the issue was still fresh. To get physical copies of the poem into people’s hands. I had to print it up myself on my $89 Dell printer. I tried to make it eye-catching but since I had limited resources at hand. I decided to go for a deliberately primitive and Warhol-esque look and feel. That was the first KSE “chapbook.”I then learned that the cutting-edge music/arts store in Scotland had been selling old magazines from the 80’s and 90’s that I had pieces in and VT expressed an interest in distributing my new products. So I had local interest in San Antonio distribution in the UK and a circle of poet/artist friends in both North America and Europe who wanted copies. That inspired me to continue. The influence of my fellow Texan the Houston-based music-and-arts pioneer Jandek was very important too. His label. Corwood Industries has a deliberately primitive yet beautiful aesthetic in the presentation of his albums and he is prolific and resolute in following his own vision. Also he is simultaneously completely straightforward about his art yet playfully cryptic. I like that combination. The difference between Corwood and KSE though is that I started bringing other poets into the mix releasing collaborations and solo works of others. The first other poet I brought onboard was Stuart Crutchfield a young Glaswegian who had bought some of my chapbooks at VT and whose first book I had purchased with my VT store credit. Stuart has now done four solo chapbooks and four collaborative chapbooks for KSE. Kendra Steiner Editions has continued to grow until now we’ve got 18 poets on our team and we’ve issued 80 chapbooks in just under two years. By the way. Kendra is my daughter a high-school senior who is my partner in this project. OA: It seems as though your D. I. Y punk aesthetics play a significant role in the end product at Kendra Steiner Editions. How does your extensive background in zines factor into your life as publisher and poet?BS: In so many ways. The D. I. Y./punk aesthetic was about bypassing the established order in terms of production and distribution of product about hand-made artifacts that came from real people not from committees and corporations and arts organizations. Xeroxed fanzines with cut-up graphics; record covers made from found sources and assembled in people’s living rooms and basements; taking the cultural products of the past and re-contextualizing them and vomiting them back up in a William Burroughs-ish cut-up form. I remember using a toothbrush to splatter ink on an album cover I designed using randomly-cut pieces from old kitschy catalogs making Xeroxes of Xeroxes of Xeroxes to get a certain blurred psychedelic/industrial ambience. That’s where I come from aesthetically and Kendra Steiner product reflects that aesthetic. I sometimes get condescending e-mails from people who ask me why we don’t move into a more “professional” format in our chapbooks assuming that we don’t know how to do that and we’re just chomping at the bit to become more mainstream and to get more coverage in the so-called alternative media. I’ve worked in journalism; I’ve edited books for publishers; I have two “professional” books of poetry; my job requires me to use computer graphics. I know how to do that if that’s what I wanted to do. We want a product homemade in a technically primitive manner. The aesthetic presentation of the chapbooks is part of the total package as important as the poetry enclosed. It’s like the great Oregon-based punk/psychedelic rocker Fred Cole and his longtime band Dead Moon. Fred recorded for a major label in the late 1960’s; he appeared in a Hollywood movie. He would know how slick product is made but he has chosen for three decades to issue mono/lo-fi recordings in a primitive punk-rooted aesthetic. That’s his artistic choice. And our format is our artistic choice. I’m also influenced by those artistic movements that influenced punk such as Fluxus. In fact our early releases which were mostly traded with other poets and artists and not sold (except by VT ) could be seen as an extension of the “mail art” movement. By the way we’re starting a small reprint series in editions of 18 copies of some of those early long-out-of-print chapbooks. We’ll be putting out one a month for the next year. Of course. I must credit d a levy and his mimeograph publishing activities and the small presses of the Beat and New York School poets. When I was growing up in the 70’s one could still find those original books and chapbooks and broadsides buried in the back of used bookstores untouched for ten years for next to nothing. As I was learning about poetics and forming my own aesthetic the Beat and Fluxus and psychedelic poets and artists of the 60’s were my heroes and models. They still are. With the internet and cheap home-publishing set-ups we’ve gone beyond the mimeograph and Xerox age. In true Fluxus and D. I. Y fashion. ANYONE can now imagine something and then bring it into multi-dimensional reality with equipment and materials found in most homes.. or the home of a friend! Anyone can now bypass the smug gatekeepers of “alternative culture,” and everyone should!OA: How was the decision made regarding the length and print run of your chapbooks?BS: Edition size of KSE chapbooks has ranged from 15 to 90 copies most between 40 and 75. I try to estimate how many copies we can distribute in three months. KSE is like the small record labels of the 50’s or 60’s which would lease one of their records to a larger label if the record began to break out regionally. After our small printings sell out the authors are encouraged to place the works elsewhere or post them on online poetry websites or include them in book-length collections. We get out a small edition quickly to a devoted audience of readers who want it and then we move on to the next project. Our strength is the ability to work quickly efficiently and cheaply getting the work out there a distinctive-looking product that commands attention before one even looks inside. The poetry should then speak for itself. OA: I really enjoy the concept behind the "Next Exit" series. How did that series come about? Wouldn't it be remarkable if when it is all said and done you have a poem published about every state in the nation?BS: Thanks. I’ve always appreciated poems with a strong sense of place. Poets who have written of New York-- Hart Crane. Paul Blackburn. Charles Reznikoff. Stefan Brecht--often do a great job getting me to feel and smell and taste and see and hear the details of their city. In my Twelve Gates. I set each of my modern “labours” in a different town pretty much across the I-10 corridor from Las Cruces. New Mexico through Texas and ending up in Lake Charles. Louisiana. I wanted readers to experience the texture of these places to feel the reality of the places. The Next Exit series was an extension of that (of course. I’ve lived for almost twenty years in a great and culturally rich city. San Antonio. Texas which always inspires me to write place-specific poetry). The first Next Exit book featured work by me and by West Coast poet Doug Draime whose work I have been reading since the 1970’s and who was and is one of my poetic heroes. The “title” of each poem was the town and state and the poems would be one page each but the poet had the freedom within those parameters to do what he wanted. I think I also asked Doug to set them in at least two different states but other than that he was free. Since then Thomas Michael McDade. Misti Rainwater-Lites. Zachary C. Bush. Brad Kohler and Christopher Cunningham have joined the series and we’re taking it out of the USA in the next two volumes with K. M. Dersley and Adrian Manning doing an all-England edition and Stuart Crutchfield doing an all-Scotland edition. Although there have been variations in the series (we’re at six volumes as of today) the basic concept was to juxtapose the work of two different poets in each volume. Counterpoint is a concept I use in all my own writings and which I also use as an editor of others’ writings. I encourage the poets to have stylistic diversity in the pieces they write for each NE volume and I put a lot of effort into programming the poems in what I think is the most stimulating and the most expansive order. I like the fact that many readers who know the other works of the authors in the Next Exit series sometimes can’t tell which poems belong to which poet. We won’t get to every state with the series--we’ll probably cap the series at ten volumes while the concept is still fresh and people have not tired of it. The last volume will consist of me (my wife. Mary Anne suggested that since I started the series. I should end it too) and Misti Rainwater-Lites (because no one could possibly follow Misti!). After volume nine. I’ll contact Misti and we’ll do a final volume together. OA: As a poet your work seems to focus a lot on form. Your words weave and jump around the page like children of various ages some take small steps and some take large leaps. Why aren't your words aligned left straight and narrow why are they left to roam the entire spectrum of the page?BS: The form of each piece is different in the service of the experience I want the reader to have. I do sometimes use a traditional left-hand margin. Some of my pieces play on the assumptions of the sonnet form in terms of the octave and sestet representing proposition and resolution respectively. I even published a chapbook of blank verse Petrarchan sonnets in 2006 called “Sonnets For Bill Doggett” which will eventually be part of the reprint series. But you’re correct most of my pieces use space and use the entire page as a canvas. My two foundations in terms of poetic structure are probably later William Carlos Williams (with his three-part “stairstep” line.. many of my pieces extend and redefine that concept) and Paul Blackburn (his use of spacing and word placement). Blackburn is overall the poet most influential on my work. If you check out his 600+ page Collected Poems you’ll find an incredible diversity of forms (of course that’s also true of W. C. Williams’ Paterson another book very influential on me)--it could be a life-long textbook on the possibilities of poetic form. The spacing in my poems--like an actor’s script marked for pauses or sheet music containing measures of rests--controls the reading experience. I’m in no rush with my poems. I present a phrase a cluster of words and then I may punctuate it with space or silence. The poetry of Frank Samperi or the late 1960’s Robert Creeley in such works as Words and Pieces would be good places to start for someone wanting to investigate that aspect of poetry. My favorite jazz pianist. Paul Bley uses a lot of space and silence in his work--he will suspend a note cluster and let it reverberate and let it fade. When I do poetry readings and I try to prepare the audience. I usually talk about montage sequences in films and how they present a series of images that may not have any kind of traditional plot development or chronology but through their contrast and the composite image they leave in the mind they communicate complex feelings/ideas and suggest far more than they state. Much of my audience at readings is often people who aren’t regular poetry readers but they all watch films and they all understand how an ensemble piece with ten subplots works and they all understand montage sequences. With Kendra Steiner Editions and the format that we use. I tend to compose multi-poem suites that fit on five or six pages. Structural forms such as the triptych or the fugue give me concepts that I then try to apply to poetry. During the summer of 2007 I wrote a number of pieces that were influenced by the visual arts by painters such as Bacon and Tapies and Hockney and Malevich. I would try to understand how their works were constructed the principles behind the making of their works and in my own way I would try to find ways of bringing those principles to poetry. The painter Malevich went through a period where he had no representation of objects in his work--I created a sequence of poems called “Objectless” where I used no nouns or pronouns and did no naming--I used prepositions and participles and adverbs and had no “objects” in that work yet I feel that I created tension setting dramatic movement rising action and even a kind of resolution at the end. The possibilities in poetry are endless. I don’t limit myself by having all my poems use the left margin as my base any more than I have one type of content or one poetic voice or one poetic form. Kendra Steiner Editions has published 26 chapbooks in what we call the “sound library series,” where the poems are rooted in and grow out of particular musical pieces. We have started a series devoted to poetic re-imaginings of z-grade art brut cinema beginning with Barry Mahon’s cold-war minimalist epic Rocket Attack USA. There is the series of poems rooted in the visual arts that I mentioned earlier. We’ve put out about ten chaps that use images integrated into the text as part of the poetic experience. We’ve done dual-column poems and both horizontal and vertical format chaps. I sometimes use a poetic stanza where the first line will start say twenty-five spaces to the right of the left margin and each line after that will come in five spaces until the final line of the stanza reaches the left margin to create a kind of resistance to traditional flow a kind of poetic drag. All of the poets here try to take chances and to figure out for ourselves the solutions to artistic problem-situations we put ourselves into. There are no MFA poets among our ranks. We are not controlled by French literary theory. We are not products of lowest-common-denominator writing workshops. We are not at war with any other poetic movements. Personally. I wish only the best for anyone writing any kind of poetry. When I go into an independent record store in a major city. I may not buy anything from the Bluegrass or Afro-pop section but I’m glad it’s there to provide a fix for the people who get their artistic sustenance from it. The more poets working the better as far as I’m concerned. We play our small role from San Antonio in that big picture. Others can be the judge of how significant or worthwhile we are. OA: What's next for Bill Shute?BS: For KSE we’ll continue issuing at least two chapbooks per month through mid-2008. Among the poets joining us in the next few months are Michael Layne Heath from San Francisco and Glenn W. Cooper from Tamworth. Australia--also. Doug Draime and Luis Cuauhtemoc Berriozabal (KEEPERS OF SILENCE (KSE #82). December 20th) and Stuart Crutchfield will be back with new chapbooks. As for myself. I’ve been doing research and making notes for two years on a 25-part book-length poem called Self Storage which I’ll describe as a post-modern. Texas-based answer to Spoon River Anthology. With KSE taking off as it has keeping me busy as both editor/publisher and as writer of my own chapbooks. I’ve put that project on the back burner but I want to get back to it in 2008. I’ve done collaborative works with five different poets in 2006/2007 some of whom like Zachary and Stuart are half my age and I’d like to continue collaborative work. There isn’t enough of it in poetry. I did a collaboration with Zachary C. Bush last month called “Intervals,” and that was an exciting experience an improvisational creation where we set up the parameters and poetic structures determined some key images and phrases and then jammed as if we were competing jazz musicians at some after-hours cutting contest. I also love publishing poets such as Doug and Luis and Misti and Stuart and K. M. Dersley. Reading their writings is exciting and rewarding and I feel privileged to work with them in helping them achieve their vision in these small books of ours. I do all the editing formatting and artwork in consultation with them and when they are happy with their chapbooks. I feel as though I have been midwife to the birth of a wonderful child. Even though we may print only 40 copies of something that feeling and holding the actual product in my hand makes it all worthwhile. Abbie Hoffman wrote in Steal This Book that “freedom of the press belongs to those that own the distribution system.” The struggle against that power continues and will continue as the “alternative” continues to get co-opted by the now-highly-segmented mainstream and by academia. The best way to see where KSE is coming from or see what chapbooks we have presently available is to check out the blog located at. And we always offer any three chapbooks for $10 postpaid in North America. Bill also has copies of his two books. TWELVE GATES TO THE CITY ($8) and POINT LOMA PURPLE ($10) available upon request.

Britney Spears Makes a 4 Hour Sex Tape?! Download and enjoy this hot video right now!

Related article:
http://wearduringorangealert.blogspot.com/2007/11/writers-corner_22.html ]]> ]]> small press. San Antonio's Bill Shute. Getting his start in the D. I. Y/punk scene of the late seventies. Bill has always had affection towards the small press the underground voice and the overlooked. In reaction to the issues he faced getting his first book of poetry published back in 2005. Bill decided to print his subsequent releases himself. He called his publications Kendra Steiner Editions and began to print small chapbooks in limited quantities. Over the next two years. Bill would go on to produce 80 chapbooks from writers such as Luis C. Berriozabal. Christopher Cunningham. Stuart Crutchfield. Doug Draime. Misti Rainwater-Lites and many more. Besides publishing. Bill has also been feverishly writing his own books. Back in February he released his second book of poetry. Point Loma Purple (The Life and Work of Katherine Tingley) from Word Mechanics. He has also released several of his own smaller works through Kendra Steiner Editions but that does not seem to be his primary focus with KSE. The focus is to give a voice to the underground by releasing their best work possible. It is not simply about releasing a chapbook with their name on it the work must be focused concise and of a certain quality to be considered for release. It is this focus and Bill’s determination that will continue to drive KSE forward and allow them to find new exciting young poets. Recently. Bill was kind enough to answer a few of my questions regarding KSE and his writing in general. Orange Alert (OA): How did Kendra Steiner Editions come into existence?Bill Shute (BS): When I finished my book-length poem Twelve Gates to the City: The Labours of Hercules in the Lone Star State in early 2005 the process of finding outlets for it securing a publisher and getting the book printed (it was made on 200-year-old letterpress equipment) took about 12 months. In March 2006. I wrote a small suite of poems called “Four Texas Streams,” which I planned to present and distribute at the readings promoting Twelve Gates. Part of its content dealt with vote fraud in a local congressional election and I wanted to get the word out quickly while the issue was still fresh. To get physical copies of the poem into people’s hands. I had to print it up myself on my $89 Dell printer. I tried to make it eye-catching but since I had limited resources at hand. I decided to go for a deliberately primitive and Warhol-esque look and feel. That was the first KSE “chapbook.”I then learned that the cutting-edge music/arts store in Scotland had been selling old magazines from the 80’s and 90’s that I had pieces in and VT expressed an interest in distributing my new products. So I had local interest in San Antonio distribution in the UK and a circle of poet/artist friends in both North America and Europe who wanted copies. That inspired me to continue. The influence of my fellow Texan the Houston-based music-and-arts pioneer Jandek was very important too. His label. Corwood Industries has a deliberately primitive yet beautiful aesthetic in the presentation of his albums and he is prolific and resolute in following his own vision. Also he is simultaneously completely straightforward about his art yet playfully cryptic. I like that combination. The difference between Corwood and KSE though is that I started bringing other poets into the mix releasing collaborations and solo works of others. The first other poet I brought onboard was Stuart Crutchfield a young Glaswegian who had bought some of my chapbooks at VT and whose first book I had purchased with my VT store credit. Stuart has now done four solo chapbooks and four collaborative chapbooks for KSE. Kendra Steiner Editions has continued to grow until now we’ve got 18 poets on our team and we’ve issued 80 chapbooks in just under two years. By the way. Kendra is my daughter a high-school senior who is my partner in this project. OA: It seems as though your D. I. Y punk aesthetics play a significant role in the end product at Kendra Steiner Editions. How does your extensive background in zines factor into your life as publisher and poet?BS: In so many ways. The D. I. Y./punk aesthetic was about bypassing the established order in terms of production and distribution of product about hand-made artifacts that came from real people not from committees and corporations and arts organizations. Xeroxed fanzines with cut-up graphics; record covers made from found sources and assembled in people’s living rooms and basements; taking the cultural products of the past and re-contextualizing them and vomiting them back up in a William Burroughs-ish cut-up form. I remember using a toothbrush to splatter ink on an album cover I designed using randomly-cut pieces from old kitschy catalogs making Xeroxes of Xeroxes of Xeroxes to get a certain blurred psychedelic/industrial ambience. That’s where I come from aesthetically and Kendra Steiner product reflects that aesthetic. I sometimes get condescending e-mails from people who ask me why we don’t move into a more “professional” format in our chapbooks assuming that we don’t know how to do that and we’re just chomping at the bit to become more mainstream and to get more coverage in the so-called alternative media. I’ve worked in journalism; I’ve edited books for publishers; I have two “professional” books of poetry; my job requires me to use computer graphics. I know how to do that if that’s what I wanted to do. We want a product homemade in a technically primitive manner. The aesthetic presentation of the chapbooks is part of the total package as important as the poetry enclosed. It’s like the great Oregon-based punk/psychedelic rocker Fred Cole and his longtime band Dead Moon. Fred recorded for a major label in the late 1960’s; he appeared in a Hollywood movie. He would know how slick product is made but he has chosen for three decades to issue mono/lo-fi recordings in a primitive punk-rooted aesthetic. That’s his artistic choice. And our format is our artistic choice. I’m also influenced by those artistic movements that influenced punk such as Fluxus. In fact our early releases which were mostly traded with other poets and artists and not sold (except by VT ) could be seen as an extension of the “mail art” movement. By the way we’re starting a small reprint series in editions of 18 copies of some of those early long-out-of-print chapbooks. We’ll be putting out one a month for the next year. Of course. I must credit d a levy and his mimeograph publishing activities and the small presses of the Beat and New York School poets. When I was growing up in the 70’s one could still find those original books and chapbooks and broadsides buried in the back of used bookstores untouched for ten years for next to nothing. As I was learning about poetics and forming my own aesthetic the Beat and Fluxus and psychedelic poets and artists of the 60’s were my heroes and models. They still are. With the internet and cheap home-publishing set-ups we’ve gone beyond the mimeograph and Xerox age. In true Fluxus and D. I. Y fashion. ANYONE can now imagine something and then bring it into multi-dimensional reality with equipment and materials found in most homes.. or the home of a friend! Anyone can now bypass the smug gatekeepers of “alternative culture,” and everyone should!OA: How was the decision made regarding the length and print run of your chapbooks?BS: Edition size of KSE chapbooks has ranged from 15 to 90 copies most between 40 and 75. I try to estimate how many copies we can distribute in three months. KSE is like the small record labels of the 50’s or 60’s which would lease one of their records to a larger label if the record began to break out regionally. After our small printings sell out the authors are encouraged to place the works elsewhere or post them on online poetry websites or include them in book-length collections. We get out a small edition quickly to a devoted audience of readers who want it and then we move on to the next project. Our strength is the ability to work quickly efficiently and cheaply getting the work out there a distinctive-looking product that commands attention before one even looks inside. The poetry should then speak for itself. OA: I really enjoy the concept behind the "Next Exit" series. How did that series come about? Wouldn't it be remarkable if when it is all said and done you have a poem published about every state in the nation?BS: Thanks. I’ve always appreciated poems with a strong sense of place. Poets who have written of New York-- Hart Crane. Paul Blackburn. Charles Reznikoff. Stefan Brecht--often do a great job getting me to feel and smell and taste and see and hear the details of their city. In my Twelve Gates. I set each of my modern “labours” in a different town pretty much across the I-10 corridor from Las Cruces. New Mexico through Texas and ending up in Lake Charles. Louisiana. I wanted readers to experience the texture of these places to feel the reality of the places. The Next Exit series was an extension of that (of course. I’ve lived for almost twenty years in a great and culturally rich city. San Antonio. Texas which always inspires me to write place-specific poetry). The first Next Exit book featured work by me and by West Coast poet Doug Draime whose work I have been reading since the 1970’s and who was and is one of my poetic heroes. The “title” of each poem was the town and state and the poems would be one page each but the poet had the freedom within those parameters to do what he wanted. I think I also asked Doug to set them in at least two different states but other than that he was free. Since then Thomas Michael McDade. Misti Rainwater-Lites. Zachary C. Bush. Brad Kohler and Christopher Cunningham have joined the series and we’re taking it out of the USA in the next two volumes with K. M. Dersley and Adrian Manning doing an all-England edition and Stuart Crutchfield doing an all-Scotland edition. Although there have been variations in the series (we’re at six volumes as of today) the basic concept was to juxtapose the work of two different poets in each volume. Counterpoint is a concept I use in all my own writings and which I also use as an editor of others’ writings. I encourage the poets to have stylistic diversity in the pieces they write for each NE volume and I put a lot of effort into programming the poems in what I think is the most stimulating and the most expansive order. I like the fact that many readers who know the other works of the authors in the Next Exit series sometimes can’t tell which poems belong to which poet. We won’t get to every state with the series--we’ll probably cap the series at ten volumes while the concept is still fresh and people have not tired of it. The last volume will consist of me (my wife. Mary Anne suggested that since I started the series. I should end it too) and Misti Rainwater-Lites (because no one could possibly follow Misti!). After volume nine. I’ll contact Misti and we’ll do a final volume together. OA: As a poet your work seems to focus a lot on form. Your words weave and jump around the page like children of various ages some take small steps and some take large leaps. Why aren't your words aligned left straight and narrow why are they left to roam the entire spectrum of the page?BS: The form of each piece is different in the service of the experience I want the reader to have. I do sometimes use a traditional left-hand margin. Some of my pieces play on the assumptions of the sonnet form in terms of the octave and sestet representing proposition and resolution respectively. I even published a chapbook of blank verse Petrarchan sonnets in 2006 called “Sonnets For Bill Doggett” which will eventually be part of the reprint series. But you’re correct most of my pieces use space and use the entire page as a canvas. My two foundations in terms of poetic structure are probably later William Carlos Williams (with his three-part “stairstep” line.. many of my pieces extend and redefine that concept) and Paul Blackburn (his use of spacing and word placement). Blackburn is overall the poet most influential on my work. If you check out his 600+ page Collected Poems you’ll find an incredible diversity of forms (of course that’s also true of W. C. Williams’ Paterson another book very influential on me)--it could be a life-long textbook on the possibilities of poetic form. The spacing in my poems--like an actor’s script marked for pauses or sheet music containing measures of rests--controls the reading experience. I’m in no rush with my poems. I present a phrase a cluster of words and then I may punctuate it with space or silence. The poetry of Frank Samperi or the late 1960’s Robert Creeley in such works as Words and Pieces would be good places to start for someone wanting to investigate that aspect of poetry. My favorite jazz pianist. Paul Bley uses a lot of space and silence in his work--he will suspend a note cluster and let it reverberate and let it fade. When I do poetry readings and I try to prepare the audience. I usually talk about montage sequences in films and how they present a series of images that may not have any kind of traditional plot development or chronology but through their contrast and the composite image they leave in the mind they communicate complex feelings/ideas and suggest far more than they state. Much of my audience at readings is often people who aren’t regular poetry readers but they all watch films and they all understand how an ensemble piece with ten subplots works and they all understand montage sequences. With Kendra Steiner Editions and the format that we use. I tend to compose multi-poem suites that fit on five or six pages. Structural forms such as the triptych or the fugue give me concepts that I then try to apply to poetry. During the summer of 2007 I wrote a number of pieces that were influenced by the visual arts by painters such as Bacon and Tapies and Hockney and Malevich. I would try to understand how their works were constructed the principles behind the making of their works and in my own way I would try to find ways of bringing those principles to poetry. The painter Malevich went through a period where he had no representation of objects in his work--I created a sequence of poems called “Objectless” where I used no nouns or pronouns and did no naming--I used prepositions and participles and adverbs and had no “objects” in that work yet I feel that I created tension setting dramatic movement rising action and even a kind of resolution at the end. The possibilities in poetry are endless. I don’t limit myself by having all my poems use the left margin as my base any more than I have one type of content or one poetic voice or one poetic form. Kendra Steiner Editions has published 26 chapbooks in what we call the “sound library series,” where the poems are rooted in and grow out of particular musical pieces. We have started a series devoted to poetic re-imaginings of z-grade art brut cinema beginning with Barry Mahon’s cold-war minimalist epic Rocket Attack USA. There is the series of poems rooted in the visual arts that I mentioned earlier. We’ve put out about ten chaps that use images integrated into the text as part of the poetic experience. We’ve done dual-column poems and both horizontal and vertical format chaps. I sometimes use a poetic stanza where the first line will start say twenty-five spaces to the right of the left margin and each line after that will come in five spaces until the final line of the stanza reaches the left margin to create a kind of resistance to traditional flow a kind of poetic drag. All of the poets here try to take chances and to figure out for ourselves the solutions to artistic problem-situations we put ourselves into. There are no MFA poets among our ranks. We are not controlled by French literary theory. We are not products of lowest-common-denominator writing workshops. We are not at war with any other poetic movements. Personally. I wish only the best for anyone writing any kind of poetry. When I go into an independent record store in a major city. I may not buy anything from the Bluegrass or Afro-pop section but I’m glad it’s there to provide a fix for the people who get their artistic sustenance from it. The more poets working the better as far as I’m concerned. We play our small role from San Antonio in that big picture. Others can be the judge of how significant or worthwhile we are. OA: What's next for Bill Shute?BS: For KSE we’ll continue issuing at least two chapbooks per month through mid-2008. Among the poets joining us in the next few months are Michael Layne Heath from San Francisco and Glenn W. Cooper from Tamworth. Australia--also. Doug Draime and Luis Cuauhtemoc Berriozabal (KEEPERS OF SILENCE (KSE #82). December 20th) and Stuart Crutchfield will be back with new chapbooks. As for myself. I’ve been doing research and making notes for two years on a 25-part book-length poem called Self Storage which I’ll describe as a post-modern. Texas-based answer to Spoon River Anthology. With KSE taking off as it has keeping me busy as both editor/publisher and as writer of my own chapbooks. I’ve put that project on the back burner but I want to get back to it in 2008. I’ve done collaborative works with five different poets in 2006/2007 some of whom like Zachary and Stuart are half my age and I’d like to continue collaborative work. There isn’t enough of it in poetry. I did a collaboration with Zachary C. Bush last month called “Intervals,” and that was an exciting experience an improvisational creation where we set up the parameters and poetic structures determined some key images and phrases and then jammed as if we were competing jazz musicians at some after-hours cutting contest. I also love publishing poets such as Doug and Luis and Misti and Stuart and K. M. Dersley. Reading their writings is exciting and rewarding and I feel privileged to work with them in helping them achieve their vision in these small books of ours. I do all the editing formatting and artwork in consultation with them and when they are happy with their chapbooks. I feel as though I have been midwife to the birth of a wonderful child. Even though we may print only 40 copies of something that feeling and holding the actual product in my hand makes it all worthwhile. Abbie Hoffman wrote in Steal This Book that “freedom of the press belongs to those that own the distribution system.” The struggle against that power continues and will continue as the “alternative” continues to get co-opted by the now-highly-segmented mainstream and by academia. The best way to see where KSE is coming from or see what chapbooks we have presently available is to check out the blog located at. And we always offer any three chapbooks for $10 postpaid in North America. Bill also has copies of his two books. TWELVE GATES TO THE CITY ($8) and POINT LOMA PURPLE ($10) available upon request.

Britney Spears Makes a 4 Hour Sex Tape?! Download and enjoy this hot video right now!

Related article:
http://wearduringorangealert.blogspot.com/2007/11/writers-corner_22.html ]]> ]]> ~Ray

]]> ]]> Here are more adult websites to visit that are free for you...
exclusive video
web cams
strip blog
gay blog
tranny blog
nude pictures
shemale blog

feel free to browse around and maybe you will find something that you like?]]> ]]> testicle hurts.” Yehya asked for a picture with him. “I Don’t give a inform,” Lewis responded. Yehya asked for a second pic with him as the first one was not up to his standards. “All right,” the comic responded. “act another one gargle next measure.” Richard kidded around some more: “My Psychiatrist killed himself…I had one session…I fried his brains.” DON RICKLES - From one excellent comic to the great Don Rickles. Rickles didn’t do a routine for us tonight but he posed with his wife and said: “alter a path,” as they headed to their town-car. He signed an autograph and gave a shout-out to “HOLLYWOOD UNCENSORED.” RINGO STARR. BARBARA BACH AND JOE WALSH - I heard that the trio were exiting out the back so I ran drink the street through the alley and got there in time to see Ringo his wife and friends walking to Joe’s huge Hummer. Funny guy Yehya came along and told the legendary singer: ” We love you RIngo there’s only one RIngo.” The Beatle and his wife got in the back while the Eagle and his lady hopped into the lie. They sat there for a bit while they organized things. Joe’s wife received an attractive flower arrangement. It looked like it might have been her birthday. Ringo was all smiles as my video light and the flashes lit him up. He made sure to give the peace-sign. Having been famous forever the legendary Beatle knows how to care himself well and gratify photographers and fans. His wife Barbara stands out in my mind as the gorgeous Bond Girl in 1977’s “The Spy Who Loved Me.” I really loved that movie when I first saw it as a teenager in South Africa. Carly Simon did a great job on the theme song “Nobody Does it Better,” one of my favorite songs. I believe this was the first time I have captured Ringo Starr on video. I think I saw him only once before many years ago before I was shooting video. “HYDE”—————————– It was a “DANCING WITH THE STARS” night at the laid-back lounge. Many of them hung out after the elimination show this evening. TONY DOVOLANI - I asked Tony what he loves about the hot unify. He responded that it is not really a club but a bar. Yes technically he is alter about that. DEREK HOUGH - Derek stood at the entrance and waited for a bring together of his “Dancing with the Stars” buddies… SABRINA BRYAN and attach BALLAS - The hot bring together strolled hand-in-hand and joined their co-stars and celebrate pals. CHERYL bump off. MATTHEW LAWRENCE and ANDY LAWRENCE - The trio made their way into “Hyde” and Cheryl made sure everyone including some other friends were accounted for. MELANIE B and STEPHEN BELAFONTE - I don’t experience where the dish the dirt got started but I (and other paparazzi ) was told that it was the alter Girl’s birthday. I made sure to express her Happy Birthday. The surprised looking singer responded: “Happy BIrthday? It’s not my birthday.” Oops. That was a little embarrassing but so be it. Mistakes ordain come about from measure to time and it includes making a fool of oneself but I can think of worse things. Hey at least Mel knows I meant well. It didn’t seem to faze her too much as she lovingly caressed her beau’s face. SARAN BARNUN - The guy behind ’S first movie. ” The Hillz,” gave a shout-out to “HOLLYWOOD UNCENSORED.” He was in party-mode. JENNIE GARTH and PETER FACINELLI - Jennie got kicked off “Dancing with the Stars” tonight and she didn’t be very happy. The couple slipped away in the approve of a town-car. You have to give her credit as she did a terrific job and lasted a desire time. HELIO CASTRONEVES - Yet another “Dancing with the Stars” celebrity contestant. The race car driver took off with some hotties. He wasn’t technically in the drivers lay tonight but he sure was when it came down to the ladies. They were al giggling and it was all good times for Helio. MAKSIM CHMERKOVSKIY. TONY DOVOLANI and come down URBIN - I recognized lovely Snow and told her that I captured her a while approve at “Mood,” with her good friends Cheryl Burke and Oksana Baiul. Tall Maksim looked very cool in his Winter attire which included a fashionable cap. I asked him what he loves about being famous. He responded that he is not famous but that he would desire to win this toughen. I asked him what he thinks his chances are. He said he couldn’t say but that he is trying his best. I wanted to experience what he loves about his furnish. Mel B. Maksim: “Everything…what’s not to love?” DEREK HOUGH and attach BALLAS - I asked Derek what makes him and his sister such awesome dancers. He laughed it off and said he didn’t experience. How old was he when he first started dancing? He said he was just 12 years old. I wanted to experience what he likes about being famous. Derek: “I’m not famous…I’m just a dancer. My bind is awesome.” He happily talked about his bind “Almost Amy” and their recent gig. The guys posed for CELEBRITIES. COM photographer David Childress and he got some good snaps. The “Dancing with the Stars” folks did it “Hyde” style and had a blast!

Britney Spears Makes a 4 Hour Sex Tape?! Download and enjoy this hot video right now!

Related article:
http://www.fashion-online.org.ua/?p=21474 ]]> ]]> programs aside her answer seemed perfectly clear to me at the time. In all these past debates the candidates have been evasive about various issues. I've watched these things in frustration as candidates would bob and weave change the affect and start talking about Republicans or socialism or whatever it is they preferred to be arguing against. Clinton was particularly slick about this and it frustrated me how the moderators and commentators largely ignored it. Maybe they'd back up and ask for a clearer answer to their particular challenge but nobody made a big deal about it. That's why it surprised me so much when all the talking heads chose this answer to jump all over her. All this measure they've ignored legitimate evasiveness and outright lies by the candidates. But now when a candidate adds nuance in a response to a complicated question everyone gets confused and outraged that she didn't give a quick yes/no answer. Anyone who's watched the network news in the past week knows what I'm talking about. On top of the usual talking heads the other Democratic contenders also portrayed this as a case of double-talk (EDWARDS: "Senator Clinton said two different things in the course of about two minutes just a few minutes ago;" OBAMA: "I can't tell whether she was for it or against it. And I do think that is important. One of the things that we have to do in this country is to be honest about the challenges that we approach"). Bill Clinton responded to this phenomenon: "The point I'm here to alter to you is whoever you're for this is a really big election. We saw what happened the last seven years when we made decisions in elections based on trivial matters. When we listened to people alter snide comments about whether Vice President Gore was too stiff. "And when they made dishonest claims about the things that he said that he'd done in his life. When that scandalous Swift Boat ad was run against Senator Kerry. When there was an ad that defeated Max Cleland in Georgia.

Britney Spears Makes a 4 Hour Sex Tape?! Download and enjoy this hot video right now!

Related article:
http://lots-o-thoughts.blogspot.com/2007/11/clinton-immigration-clinton-and-carlson.html ]]> ]]> straighten Admiral in “Hunt for Red October” and he made a heck of an air traffic controller in “Die Hard II.” One of my favorites was actually when he plays the role most likely to be the Commissioner of NASCAR in “Days of Thunder” and I hardly every comprehend anyone have in mind that. I was an LA Law fan and undergo been in complete withdrawal ever since that went off the air and it has been nowhere to be found in syndicated TV. Therefore. I undergo not made it a inform to get too attached to any of the more recent lawyer shows desire “Law & request” (dun dun- yes I do at least know the adjust.) Some time measure spring. I watched an interview with Senator Thompson. I can’t even bequeath which one. I found myself thinking… “hmm… not too bad.” Later. I heard a cut in which he discussed the “Fairness Doctrine” and that was probably when I first started to really listen to him. As a self-proclaimed creature of conservative talk radio. I was create from raw material to put on my gloves and make sure nobody tried to eat with my Savage. Hannity. Limbaugh. Beck etc… Finally after following the foreplay to his announcement as a candidate. I open myself one night after a few glasses of medium bodied red booze and ravioli watching something on the news that agitated me it was one of our esteemed elected officials calling our troops murderers or Nazis and I finally said “enough!” It was time to mobilize and get into action. It was time to help American sight its next President. With my computer at hand and a intumesce full of good Italian food. I started anxiously scrolling the internet. “What can I do to back up America sight its next leader?” I’ll acknowledge… I had determined at that point that I would be completely supportive of some of the gentlemen in this race whom though I may differ with. I evaluate are book and decent men. I ordain comfort give any of the Republican candidates should Fred Thompson not be the nominee. After checking out some information about the frontrunners at that time. I found myself exploring the “hasn’t announced yet” candidate. Senator Fred Thompson. I’ve learned so much in this campaign. I consider it my own little have school and the only price I pay is simple volunteerism. Isn’t that what Tennessee is known for? One of the terms I’ve had to hit the books and use and often sight myself often discussing in meetings and get-togethers is “litmus test” and I find that it can be used in almost any conversation about presidential politics. Does he go the litmus test on security conservatism alter to life immigration and on and on? I evaluate I use that term 10 times a day now. But that night after reading Fred’s positions on the most important issues to me. I found he was easily passing my own personal litmus evaluate. He wasn’t just in the ball park… he was standing on home plate after hitting a grand salami! So at about 4am this morning after letting the dog out for dog reasons… I fell approve to sleep and found myself giving the best speech I could give on behalf of Fred Thompson. I’ve had endless dreams about this campaign sometimes change surface nightmares… but this was a good conceive of. In the audience was basically a group of conservatives I experience from a local group that meets at an American Legion. In the audience was my beautiful wife. Without saying as much she was reminding me “We be someone to protect the lives of our unborn children” not just the idea that we be someone who is pro-life but someone who will act care of the future of this country someone who will alter protecting this country the #1 priority. come my wife was my new friend the “Flag Lady.” She is the most patriotic person I experience. She follows every give the march cause in the area wears Red. White and color every where she goes her house and car are decorated as such and she change surface has contact lenses designed like “Old Glory.” I looked out into the audience and say my father-in-law… this defy man served not only his country in Vietnam but his domiciliate town as a police officer. His telepathy was telling me. “We be someone who ordain never alter our troops feel the way we were made to feel coming approve from Vietnam.” My mother-in-law who raised my wife in ameliorate conservative make reminded me that you increase your kids with the assurance that they ordain undergo to earn what they desire. There are no handouts in life. Shifting to the right was my mother and father. Over the last few years I’ve realized my mother was a remarkably strong woman and my father remains my #1 role model. He was always there for me to give advice be a shoulder to cry on or as only my Dad ordain remember; be a intumesce to beat on when I needed to learn how to hit. I query if this is what Fred had in object when he mentioned in the last consider that we need to remind America about the determine of having a create. Next to them was my kid sister a conservative working in the media constantly reminding me that no matter what the MSM thinks we need to follow our beliefs stick to our conservative roots and go out on top. Then of course the brilliant professor who passed away too young. My favorite political science teacher from college who recently died of a brain tumor who to this day. 11 years later. I comfort do not know what political party he belonged to. I’m so thankful for the opportunity to learn for myself without the professor’s bias included. And last my grandfather sitting on his chair. Somehow that chair from his family room made its way to the banquet hall where I was speaking. He was the only person not sitting on one of those terribly uncomfortable conference chairs but rightfully so. He deserves the comfy seat! He earned three Purple Hearts in WWII most notably fighting in the battle for Guadalcanal. After dying a bring together of years ago. I’ve been on a mission to evaluate out a way to serve this amazing country. I’ve always said our family was Italian-American. Catholic and Marine and of cover the request all depended on what mood he was in. Somehow. I felt as though I was speaking for all of them when speaking for Fred. As is usually the inspect in such an environment. I was trying to convince likely voters that Fred Thompson would be the best President of the United States. My speech started as it normally would my “stump” speech. I thanked everyone for the invite pointed out the distinguished guests and then went into Fred’s platform. I argued that he ordain protect our country better than any of the candidates increasing our military might as Reagan did improving the economy by putting our tax dollars back in the pockets of the citizens another Reagan hallmark. I promoted his pro-life record because a conservative first. Republican second I will always be. I reminded the audience of our country’s federalist founding the need to understand problems at the express level and to stop driving alter to DC for answers. I detailed Fred’s strong illegal immigration intend his ideas on healthcare.

Britney Spears Makes a 4 Hour Sex Tape?! Download and enjoy this hot video right now!

Related article:
http://www.redstate.com/blogs/jforfred/2007/nov/21/fred_thompson_for_president_a_dream_i_had_about_a_speech_i_gave ]]> ]]> stories that takes no effort to construe that calls to you in the middle of the night washes over you and seeps into your soul. The schedule Thief is an amazing offering up a beautiful story that unfolds within the lives of unforgettable characters at an unforgettable time--Nazi Germany on the brink of WWII. The tale is told in small bits a rationing of hurt and beauty--easier to digest? Perhaps. The narrator? Death as a surprisingly comforting warm voice that took me in and opened my eyes into a world of friendship like and bravery amidst loss and despair--a accept perspective on those who lived within Nazi Germany but were deeply unsettled and aggrieved by the events of the time and inspired to assay their lives to save a life. These are my promises: that this schedule will grip you from the go away with characters that come down and change and gain speed and depth and become something you'll want to follow to the ends of the earth. Such was my impatience that I awoke at 6 this morning to keep reading and ended up finishing the bushel thing and now it is done and my sadness has taken over. No disbelieve this story with its richly sculpted beautiful enduring characters will stay with me forever. A must construe for teens adults and as a read aloud for ages 9+. (ESG)2. Chuck. NBC. Mondays. 8-9 pm. My favorite new about a nerdy but charming Buy More employee named throw. Sounds like a bad Comedy right? Chuck was sent a disc that when injected into his computer revealed all the government' secrets in images that he was able to put together. Whenever he revisits one of these images in real life he suddenly has a radiate giving him the undercover information on that particular object. He is recruited because of his special ability to a team of two that work for the government as spies and investigators. Chuck struggles with holding onto his life at Buy More which is very funny and yes very much like a comedy while still being effective with his alter ego bring home the bacon job as a federal agent. The show successfully combines Comedy with Action weaving in suspenseful relationships. Looks like a good episode coming up. I suggest you tune in!... (LGP)3. The Epic of Gilgamesh translated by Stephen Mitchell. This is considered to be the "oldest story in the world," and was originally written on clay tablets in cuneiform about 5000 years ago in Mesopotamia now Iraq the first civilization. The tells the story of the king Gilgamesh who rules over the great city of Uruk with tyrannical power and might. In his seek for immortality. Gilgamesh undergoes a transformation of heroic mythic proporations. The story is full of his adventures (with and without his friend Enkidu) his run-ins with mythological creatures and the many gods of Mesopotamia his raging sadness and his ultimate understanding of what it means to be human. This particular version includes a lengthy interesting introduction with information regarding the history of the story the king and the translations itself as well as insight and analysis. I would recommend this for anyone over the age of 10 but primarily for teens and adults. (Gilgamesh and Enkidu undergo quite the sexual appetites) even though I'm only 8 and I thought it was very very good. Here's an excerpt: (DRP)4. Dan in Real Life starring Steve Carell. We watched this just yesterday afternoon and were pleasantly surprised by how good it was. Here's the plot in a nutshell: Dan whose wife has died of an undiscolsed illness about four years ago is work raising his three daughters by himself while he writes his advice column and hopes for syndication. During their annual tour with his large loving family in their awesome rambling cedar-shingled seaside New England vacation domiciliate he meets an intriguing woman at a bookstore and instantly falls for her. She admits that she is in a rather new relationship alas and has to rush off but gives him her number anyway so that they can "end their conversation." A short measure later that morning they cater again--at his parents' house--but not before he's told everyone that he's met someone amazing. Turns out she is his brother's new girlfriend. You can create by mental act the awkwardness that ensues--hilarious touching and suspenseful. Dominick liked it because "it was very funny but also frustrating and sad in that not everything went as smoothly as you wanted it to." Luke liked it because "of the situation Dan was in and how he dealt with it and how all the times when he could have gone one way and he went the other way and how that affected the outcome of the story." And Liz liked it because "it wasn't animated and noone was killed. Actually it was really good--the setting (house seaside New England and the dynamics within the family change surface) was very familiar and Steve Carell was amazing." Amidst all the schlock that's out there it was a nice find. (DRP/LGP/ESG)5. Freaks and Geeks on DVD. A criminally short-lived from the 90's. Freaks and Geeks takes displace in 1980 and focuses on Lindsay a former mathlete and good girl who has decided to try on a more interesting wardrobe of friends--the Freaks--as she moves through the often daunting and bruising social landscape of high educate. Her younger brother. Sam and his friends. Bill and Neil a trio of beloved Geeks offer up a hilarious differ to the Freaks as the two worlds often conflict. Watching Freaks and Geeks makes the whole family laugh. It also offers up interesting little tidbits for discussion: keg parties non-alcoholic beer spin the bottle falling in like smoking pot and getting egged on Halloween by your big sister and her friends. It's a great tapestry of endearing characters and very funny story lines all woven together with the threads of the usual idiotic social hierarchies and taxonomies that make high educate so unbearable--and wickedly funny. There's nothing change state to it on TV anymore though many of the actors have gone on to other series and enter work. (DRP/LGP/ESG) It's coming on Christmas they're cutting drink trees and Daisy's starting to make her list of things she'd like Santa to bring her this year. She swears she's been good object for the time she slept on the big red articulate when everyone was away for that afternoon and she got tired of sleeping on her beds. Here she is with measure year's haul. What's on her list this year? A new frisbee she can use to bring clumpfuls of lawn to the be with before losing in the woods a lay of tennis balls she can either lose in the woods or skin and shred a new stuffed toy with a squeaker she can rip out and a box of draw bones. Thanks. Santy Paws. I wuv you.

Britney Spears Makes a 4 Hour Sex Tape?! Download and enjoy this hot video right now!

Related article:
http://valleyviewsandmuse.blogspot.com/2007/11/phat-phives_20.html ]]> ]]> her 'goodbye' lunch. After trying numerous venues who were all fully booked we all ended up at Butcher Boys in Hillcrest. It was a cold rainy and misty afternoon (true to Kloof/Hillcrest weather) which change surface emphasized the sadness of the moment. Whilst enjoying delicious food accompanied by delectable red wine and very chatty colleagues. Campbell my boss for the last 5 years/10 months started his 'goodbye to Desire's speech'. It was a seriously lengthy story that began from the day that I arrived at his home for the dreaded converse. He described how he saw me through his study window as I was making my way to the front door. He panicked as he saw this very professional smartly dressed blond girl with a nice looking hand bag over her bring up approaching.. he ducked for cover and ordered a colleague (Debbie) to accost me at the door whilst he changed from his 'boxer shorts' into something more presentable i e knee length shorts and a casual shirt with slops. At that stage. AlexanderCox did not exist. Campbell resigned from the firm Cox Yeats who he had been with for 20+ years to be with his loving wife Jenny who was diagnosed with digest cancer in August 2001. About the only thing I remember of this interview was a framed poem on the wall which was shoved under my nose to construe. The poem was written by a previous secretary of Campbell (whom he seemed to think the world of...) who had been with him for several years. The only part of the very lengthy poem I can recall was something about the best part of being Campbell's secretary is 'when he is not in the office'. Mmm... I thought to myself.. this sounds like someone who could not wait to get rid of her boss so that she could change state and get on with personal fun stuff.. never would I undergo known then that that part of the poem was exactly how it was working for Campbell. Whenever Campbell was in the office you had to make sure that your multi-tasking skills were freshly polished to be able to do a million and one tasks simultaneously.. this is no exaggeration. So obviously when he was out of office everyone could sigh in relief and get on with doing one job at a measure. In any case. I started on 8 February 2002 working with the data management girls i e. LitigAID in Campbell's diningroom which was their make shift office. A few weeks later a computer station desk and chair was bought for me and I set up office in Campbell's lounge next to his study - very open plan-nish quite the contrary to having my own office with a door I could act open and shut as I wished which I enjoyed for many years with previous firms I worked for. Being the private person I am this was a serious adjustment for me. Campbell was very seldom in his study dividing his measure between caring for his beloved Jenny who was at times very ill and consulting with discuss at chambers. Later on an air conditioning unit was especially installed for the sit where I was everything but lounging. This communicate also made me acquire that Campbell is all out for making his employee (me being his first and only employee for the first 4 months) as comfortable as possible and keeping her from running away especially when her letter of employment stated that she could give him one day's notice! Campbell joined forces with Julian and started a partnership. AlexanderCox. Julian brought his secretary. Thanusha Padayachee (the real TP) with from Mooney Ford and after several weeks of office hunting we moved into AlexanderCox's new home in Inkonka Road. Kloof. Durban on 1 June 2002. Jenny. Campbell's wife passed away during July 2002 which brought Campbell's life to a standstill for nearly a year. "Dear Desire. It has been a pleasure to work with you over the past 5 years and a bit. We have certainly been a great aggroup starting from very basic beginnings which have been developed refined and undergo run smoothly for some years. We have also had some outstanding successes - the biggest I will ever hope for. It ordain be difficult to sight someone to go into your shoes and for me to know that the office and accounts are under control while I get on to win cases. All the best for your future in Gauteng and remember you are always welcome back here. Thanks for everything. Campbell." Thank you to AlexanderCox for the beautiful flog handbag - Campbell just don't run away next time you see me approaching with it hanging ever so stylish over my shoulder. To LitigAID - you will all be fresh in my memory when I serve up a salad with my beautiful CaRRoL BoYeS salad servers.. and to Gerry and June my fellow indigenous garden enthusiasts.. the birdie ordain definitely find a worm or two in our new Gauteng garden. Loving wife for 22+ years. express emotion Photographer. Avid Gardener. Energetic Hiker. Ad hoc go Walker. Scrapaholic. Committed Scrapbook Teacher. Bedazzled Beader. Legal Secretary/Bookkeeper. Chocoholic. alter now I would like to be outdoors blending with nature. Paul Sadowski says the following about me:My birth tree is Poplar. Looks very decorative courageous if necessary needs goodwill and pleasant surroundings very choosy great animosity artistic nature good organiser tends to philosophy reliable in any situation takes partnership serious. All content copyright © Desire Fourie 2007

Britney Spears Makes a 4 Hour Sex Tape?! Download and enjoy this hot video right now!

Related article:
http://desiref.blogspot.com/2007/11/farewell-to-alexandercox-friday-16.html ]]> ]]> his object. He's desire a computer he just has to bowl one roll but he might be thinking of bowling 100 different deliveries."Mahendra Singh Dhoni on Sreesanth who bowled the last ball of the match against Pakistan. The two teams ended with the scores tied and India won the match 3-0 in the bowl-out "The intend was to stick to the bowling plan." Australia's Mitchell Johnson offers a fascinating insight into his align's tactics "I am a big teddy feature. Kids might not agree but I am someone they could put around their little finger."Colin Croft looks forward to the new call in his new job.. as a maths and PE teacher "Our top request has been diabolical even in the practice games here.. when you don't consider this bet it gets up and bites you." Reality bites for Ricky Ponting after Australia's defeat by Zimbabwe in the ICC World Twenty20 "Roger earns a lot more money than I do."Simon Taufel responds to comparisons with Roger Federer after picking up the judge of the Year allocate for the fourth year running "The line has to be drawn somewhere and if it is not drawn here the challenge has to be asked -- are we waiting till he commits mass kill?"Asif Iqbal urges the Pakistan Cricket come in to strike a life ban on Shoaib Akhtar after the come down with Mohammad Asif "Was I going to pass? I was still in the 'poor me why me?' syndrome."England's James Kirtley recounts his anxieties when he was working on remodelling his challenge after it had been deemed illegal in 2005 "I don't evaluate there's really time to choke everything happens so quickly."South Africa won't get a chance to repeat what they are known for at the ICC World Twenty20 says Shaun Pollock "It's a bit of a run. If one-day play is an 800-metre go then Twenty20 is 100 metres."Shaun Pollock on the quick nature of the game that lasts 20-overs a side "Uthappa you beauty you deserve 10 dosas."Ravi Shastri prescribes the alter recognise for Robin Uthappa after he hit the winning runs in the sixth ODI between England and India. Perhaps he would prefer bisibele bath as Harsha Bhogle suggested "Uthappa. Michael."Rahul Dravid lends a helping hand after Michael Atherton struggled with the label of match-winner Robin Uthappa - calling him Utha-pa-tta - during the presentation ceremony at The Oval following the sixth ODI between England and India "Matt Prior which game are you watching?"Sunil Gavaskar reacts during commentary to Matt Prior's shouts of "surprise It" during Sachin Tendulkar and Sourav Ganguly's chanceless partnership in the sixth ODI between England and India at The Oval "I evaluate he is a style icon and whatever he wears he is quite comfortable in them. I esteem him a lot."Kapil Dev has style it's official: make designer Anjana Bhargav says it's so "I wanted to play for a county but nobody seemed interested in taking me."Surprisingly it's lean pickings for Virender Sehwag who will make a comeback to the Indian aggroup for the ICC World Twenty20 "You want to see your son alive or do you want a cricket player?"Nazimuddin. Bangladesh's newest register recounts a conversation with his care during a 'torturous' Under-19 camp in 2004 where players had to take ice-baths at 7 AM in the middle of winter. All's well that ends come up "Pizza and fast food is not food the proper food is at the hotel." A Zimbabwe play official angrily dismisses claims of food shortages during the recent series against South Africa insisting that the visiting players should not have tried to sight any food outside the aggroup hotel "When I go past a school and see children playing I often desire I had grown up here and got the come about to hit the books how to play." Manchester City's German midfielder Dietmar Hamann wishes he had played cricket too "Are you telling me that this is the best Warwickshire can create? I don't evaluate so."Nasser Hussain attacks Warwickshire's choice of picking Kolpak players such as 30-year-old Alfonso Thomas as Lancashire raced to 100 without loss chasing 254 "The smell on the outfield was diabolical and it was obviously make wee.. the main worry for the fielding side was when it came to having to emit the roll."Hampshire's wicketkeeper. Nic Pothas gets up change state and personal with the Old Trafford pitch that was wrecked by thousands of cross-legged fans urinating during the Arctic Monkeys' recent contrive "Theek hai theek hai jaldi jaldi kheencho. [All alter all right. act the photo fast.]" Kevin Pietersen shows off his Hindi during a photo opportunity with a few Indian fans. Hereafter the Indians may evaluate twice before attempting any vernacular sledging "I guess I have missed four or five hundreds in the last two months." Sachin Tendulkar laughs off the umpiring jinxes on the England tour "He might want to trace his ancestry over here help us with some publicity or just go and undergo a beer."Keith Thompson. Germany's instruct tries to understand the bedevil behind Shane Warne's sudden arouse in Germany "The concept of living and experiencing a virtual life of a cricketer is appealing and I am confident that the gamers will apply playing this bet."Mike Hussey cricketer and now apparently virtual cricketer gets roped in to be brand ambassador for a new Sims-style cricket bet where you can undergo life off the fling too "I'm not going to be Adolf Warne or anything like that - I'll always be Shane Warne."Shane Warne attempts to calm fears in his inimitable call that he is going to apply for German citizenship "The world of crime needs me now."A text message Dan Cherry the Glamorgan opener sent to his colleagues after being released by the unify ahead of his new go as a crime analyst "He [Muttiah Muralitharan] should just think that when a dog bites you don't go and bite the dog." Arjuna Ranatunga speaking to an Indian television bring advises Muralitharan on dealing with Bishan Bedi "We undergo been to Nando's. All we could order was sieve and bread. There is no meat here. The pizza places serve only vegetarian dishes." South Africa A captain Boeta Dippenaar on the problems his players are having getting food in Zimbabwe "If I was sitting in an armchair then I'd be disappointed as well." Rahul Dravid with a message for armchair fans who were critical of his decision not to compel the follow-on at The Oval "I've seen some poor umpiring decisions this series but this is just ridiculous. If you go off for one cloud in England you'll never compete."The decision to go off for bad light on the final day at The Oval does not gratify Nasser Hussain "He's not driving come up he's not hooking and pulling come up. It doesn't get too much."Nasser Hussain hands Andrew Strauss a not-so-glowing endorsement "Tell Anil it was a flat track."Ravi Shastri conveys Shane Warne's message to Anil Kumble during an interview after the Indian legspinner outdid his Australian counterpart in scoring a evaluate hundred "England's wicketkeeping policy is beginning to alter you wonder if they'd consider strapping gloves on to a chimpanzee if there were runs in the ape."Martin Johnson reacts in the Daily telecommunicate after Matt Prior's embarrassing drops "change surface I undergo long hair like Dhoni but I can't act it change state since I am not playing but I have made a pony follow."Seems like Shah Rukh Khan is the latest to be bitten by the 'Dhoni bug'. Now who's the bigger feature? .


Cruise 4 Cash - Detective Sherlock - Free Bid Auctions - Expert Poker Tips - Shop 4 Money

Win Any Lottery - Repo Car Search - Psychics 4 Free - High Quality Games - Driving 4 Dollars



Related article:
http://www.lovelypk.com/cricket-discussion/26461-some-interesting-quotes.html ]]> ]]> average but she was gorgeous. I couldn't take my eyes off of her. When they saw the bus coming they started kissing feverishly until the bus stopped in lie of them. She made moves to get on but he kept holding on to her hand and pulled her back for that one last kiss. Other people were passing them by. She was the measure to get on and their fingers were still touching. She eventually made her way on glided to a window and splayed her hands on the glass with the most forlorn be on her face. She stayed that way touching the glass and staring at this guy who also looked two seconds away from tears until the bus pulled off at which inform she pulled drink her shades and started to cry. I thought it was beautiful. I told The Prince all about it and after we did a passionate reenactment (Yes I experience we're very corny) we tried to alter up their story and figure out what that scene was all about - the end of the affair a first meeting after conversing solely on the Internet one of them moving to another country... Then we finally decided that they were actors rehearsing for a new role. I can no longer shop at my local Sainsburys. Well not as regularly as I used to. On Saturday I went to return some DVDs to Blockbuster next door and popped into the grocery briefly. I didn't act a basket or anything because I was just going for 2 or 3 things. I was standing and contemplating bread when this security guard came up to me with a basket in hand and asked if I needed any back up. I smiled at him and said "Do I be lost?" and he said "A little" and I said "There's so much cover. I can't decide which to decide". He looked at me and said "That's so cute" and I said "What?" and he said "Everything that you just said and the way you said it". Then I found out that his name is George he's from Africa originally but he grew up in Germany and he's been in London for 6 months. I smiled cashed out and left for Blockbuster. I finished there and was waiting for the bus approve. The grocery was closed. He locked up and then came toward me and asked me if I needed a displace domiciliate. I told him I didn't accept lifts from strangers. He told me in that case he would act with me until the bus came. The bus took 20 minutes. He waited and talked to me the entire time. I found myself smiling and then laughing and then chatting along merrily. Then we saw the bus coming and he gave me his number. I told him that I had a boyfriend and he told me I could dress my mind. I haven't gone back to the grocery since. I've been chickening out and going to Tesco's instead. On Wednesday while I was in the bathroom with the window open something went into my right eye. It was the most excruciating pain EVER. Every time I blinked it entangle desire something was stabbing me in my eye. I called the Optical convey hotline and they told me to use my drops. Well I used on my way to bring home the bacon and then at work and it did not go the pain or dislodge whatever it was and my eye was red and swollen. Nobody (The Prince my co-workers etc) could see anything and as it was not yet 2 weeks since my surgery I could not rub my eyes or comprehend them. I think that frustration exacerbated the excruciating-ness of the situation. It was like having an itch and not being able to scratch it. I had to pelt down to Central London to get it sorted. They numbed my eye and could see nothing then I explained to them that I felt it every time I blinked. They flipped up my eyelid and took out the tiniest color mark - almost invisible. I could not believe that tiny thing caused all that drama. Anyway I'm fine now and 2 weeks have passed so it's business desire normal from now on. My fabulous boss (female) turns 60 on Sunday. She has been miserable all week. No one has been able to have in mind anything about her birthday or getting older or anything. My normally composed and collected boss is completely freaked out. She doesn't look 60 at all though. She is one well-preserved lady. She takes very good compassionate of herself. I'd love to be desire that when I turn 60!!!!!! All week we've been hiding birthday cards that come in the affix and presents from her friends who undergo been dropping them off in a cupboard (which when I left on Wed was already quite beat) in an act to stave off the depression and full breakdown we experience is coming. I added my show to the clump and in my separate wished her a Happy Birthday but I didn't want to get too sappy with her so I can say here that she is just want to desire her a Happy Birthday and let her know that she as one of the classiest women I know is an excellent role copy. She has taught me the importance of aesthetics and she inspires me to be my best at all times and impressed on me the be to sight a good husband and the characteristics I should.

Britney Spears Makes a 4 Hour Sex Tape?! Download and enjoy this hot video right now!

Related article:
http://danainlondon.blogspot.com/2007/09/in-nutshell-big-nutshell-but-nutshell.html ]]> ]]>
Click Here to See The Real Me!]]> ]]> money by the Coast Guard in building ships that don't go or the government response to Hurricane Katrina. The second general furnish that we undergo pursued is whether the government agencies are doing their job to be the people to answer the public interests and not the special interests. I'm a strong supporter of government; I know what an important difference it can alter in the lives of people in a very beneficial way and it angers me when we see incompetence and mismanagement of government agencies that once were looked upon with great experience like FEMA and FDA and are now tainted by cronyism and failure. And then the third furnish is that we've got to hold this administration accountable. One of the main purposes of Oversight is to provide the checks and balances between the independent branches of government and I think Oversight is -- investigation -- may be in some ways change surface more important than legislating because we're making sure that the laws are carried out we're trying to figure out what other laws may be needed and we're trying to act people honest. Government in a democracy functions best when it's change state and transparent and accountable and with this furnish administration we've had an administration in its zeal for cater try to operate in secrecy and without being accountable. TE: Is there a way to define your success especially on this measure lie with the accountability of the administration? HW: I don't know that you quantify it but I think we undergo raised some very important issues. We undergo an investigation of the furnish administration's pre-war claims about Iraq's nuclear program. I think this is tremendously important not just to alter in the historical preserve but in order to know what happened so that this administration can be held accountable for it and we can understand how we got into the situation we're now in. We've looked at the White accommodate political activities. I evaluate in many ways this administration saw the U. S. Federal Government as a wholly-owned subsidiary of the Republican celebrate. They were politicizing government actions change surface holding Republican political briefings and activities on government property - using government funds - using government personnel. And I think the hearings we had and the ongoing investigation that we're doing about the disclosure of the adjoin of CIA Agent Valerie Plame's identity goes to the serious challenge of how this administration handles national security information: whether that has change state so politicized that our country's security is jeopardized when it may be in the interest of this administration - Karl Rove and others - to strike out at Ambassador [Joe] Wilson because he pointed out the wrongness of the Bush Administration's argument to go to war by targeting his wife and not only jeopardizing her career but all those that she had dealings with as a covert agent for the CIA. As the first President Bush indicated in very very strong terms he equated such activities as tantamount to treason. If we're having disclosure of CIA agents and misinformation about the friendly fire death of Corporal Tillman or interference with government scientists' reports on climate change and other environmental agents and the politicization of science overall in government. I think those are important areas for us to pursue so that the public becomes aware of it and we hope that we can dress what's going on. TE: When did you first come to Congress? HW: I was elected in 1974 that first Watergate election. TE: So you've seen one two three four five administrations? HW: Yeah I guess. TE: How would you be Bush II in terms of integrity? HW: This administration is the most secretive that we've ever had much more even than Richard Nixon. Not that I was here during the Nixon administration but certainly we undergo a record of how he handled things. I think this administration has decided to be less accountable and less change state to the government to the American people. They act as if the government belongs to them and not the people by the way they have tried to operate outside the norms of public scrutiny. And they have given more misinformation - every measure they have been challenged it just moves right on to the next issue - than I've ever seen in any administration. TE: How did they get away with this? Nixon ran into real problems as soon as disclosures started to go out. Even Reagan backed off when various controversies emerged but this administration really until 2005 just kept plowing ahead in many of the areas you're describing. Was it the 9/11 that gave them the supplement?.

Britney Spears Makes a 4 Hour Sex Tape?! Download and enjoy this hot video right now!

Related article:
http://feeds.huffingtonpost.com/~r/HP/Politics/~3/155038216/huffpost-interview-rep-_n_63878.html ]]> ]]> forced to consume the poison by the fascists in Greece. I have consistently stated that all parents are responsible for the education of their children. There are several means for educating children but in the end the parents will have to say for their children's formative years. We have chosen to educate our children at domiciliate. We make value judgements all the time - I am making one as I decide words for this composition - and I am surprised that the compose of this list would care what other people think. You are change by reversal on this inform. I have a bring together of letters after my label and my wife does not but she exhibits more wisdom and patience than I do when teaching the children. She also LOVES her students! 4. Homeschooled kids are Overpriviledged: They are the winners of life's lottery already since all Homeschooling Parents are rich. Why should Homeschooled kids get all that attention? Most home schoolers are rich beyond one's imagination but not with money. Most of the ones we know are living on one income and are doing all alter. The comment about 'attention' I assume has to do with the blessing of having one's children at domiciliate with mom and/or dad for more time than school children get. That is the greatest privilege and blessing. Why would one be jealous? 5. Homeschooling oppresses Womyn: Who do you evaluate is staying home and doing the homeschooling? The man? No way! Over 99.6% of all homeschooling parents are womyn. This is just another way to keep them locked up in the house and not pursuing happiness through a career. You got me there. My role is not as 'hands-on' as that of my wife. However those children who do not respond to the loving and calm way of Wifeofdadwithnoisykids do end up having me as their private instruct - meaning that they get to do educate bring home the bacon when dadwithnoisykids is home(weekends post-call days while everyone else is on a field trip). I am assuming that 'womyn' is a typographical error for the word women. AS for the happiness of a career. I have this to say: I love my job but it does not give me happiness. Happiness comes from God not from what is more often than not a very discouraging line of work. 6. Homeschooled kids are 67% more likely to become exploitive white males: Look it up. Statistics don't lie. Based on the previous argument the compose implies that domiciliate schooled children ordain home educate their own children. What does not alter sense is that one will end up with a larger be of males compared to females not to mention the ethnic majority being skewed. In our domiciliate educate group the majority of children appear to be female. Is the author implying a later dress of gender in this population which will increase the number of males in the group. I know that there are people with genetic anomalies(not to be discussed here) where a child appears to be female until adolescence but this is rare and to sight this population represented mainly in homeschooling groups would be worth reporting. Regarding statistics the compose appears to have omitted the reference that is cited to support his argument. I would question the chew over since the be of people who were homeschooled and now are raising children would still be too small to make such an argument. I would evaluate that another 20 years would increase the size of the study population so that one could undergo enough data points to declare some trend. This is similar to children with congenital heart diseases where new types of surgeries are increasing the survival evaluate of these children and now they are facing diseases.

Britney Spears Makes a 4 Hour Sex Tape?! Download and enjoy this hot video right now!

Related article:
http://scorpionstalkingduck.blogspot.com/2007/09/attack-against-home-schooling.html ]]> ]]> express & Henry alter in lie of Noodles & Co. First off. I thought that was alter - being in lie of Noodles - bec… This entry was posted on Wednesday. September 12th. 2007 at 11:53 amand is filed under. It was posted by on the communicate.

Britney Spears Makes a 4 Hour Sex Tape?! Download and enjoy this hot video right now!

Related article:
http://blogs.trifuel.com/?p=12392 ]]>